Bath is conveniently placed to visit several other historic sites, which we took the opportunity to call upon. Just eight miles away is the estate of Dyrham Park, a National Trust property located in Dyrham, Gloucestershire.
The owner who had the most significant impact on the house and surrounding land was William Blathwayt (c1649-1717). Unlike many who purchased great estates with their duke’s or lord’s fortunes, he acquired it by other means.
Blathwayt’s father died before the boy was a year old, leaving the family in debt. It was his well-connected uncle, Thomas Povey, who settled the estate and became the young William’s mentor, developing his cultural interests and gearing him towards a long-term and significant career in government and colonial administration.
One of Blathwayt’s earliest positions was at the English Embassy in The Hague where he developed a taste for Delft ceramics. He later rose up the ranks of the Lords of Trade and Plantations, starting from a position of clerk and then secretary. In 1680 he held the post of Surveyor and Auditor General of Plantation Revenues where he became an expert on the British colonies.
However, it was not his developing and successful career as such that led him to own Dyrham Park, but perhaps the loss of his heart… to one Mary Wynter, for it was upon their marriage that Blathwayt gained the Dyrham estate and his wife’s inheritance. Marrying for money? Well, perhaps not. Mary died just five years later and Blathwayt never remarried. They had three children.
The house was in a poor state when the couple married, but they soon set about remodelling the building and its interiors with new apartments, bedrooms and reception rooms. Stables and domestic offices were added. Many grand designers were brought in, including William Talman the designer of William III’s apartments at Hampton Court Palace.
Unlike most other buildings of the time, a lot of the materials were sourced worldwide rather than locally. Blathwayt had built up a wide circle of important contacts through his business dealings who could source fine materials. His luxurious interiors began to reflect that. Marble was shipped from Spain, softwood from Sweden, and black walnut from American colonies. Flemish oak floors were laid and grand staircases of cedar built. He was also developing a taste for fine paintings, books and textiles in addition to Delftware. Inventories listed almost 300 chairs alone.
Plants, trees, and seeds also came from afar and Blathwayt was keen to tame the undulating terrain. He took as keen an eye on the creation of the landscape as he did within the house.
Terracing, walls and gravel paths surrounded parterres, trained fruit trees, topiary and flowers. Statuary was in abundance and the owner clearly had a passion for waterworks. An associate of Blathwayt’s, Giles Jacob, wrote an ode to the waterworks in 1719 which referred to a fine canal, a large jet d’eau shooting water to the sky, multitudinous pipes, and waves of water descending down steps. He also mentions a statue of Neptune with trident. Today, if one climbs the steep hill overlooking the house a statue of Neptune can be seen.
Archival documents indicate the gardens would have provided a good supply of fruit – with exotic varieties grown in the glasshouses – as well as vegetables (such as asparagus) and nuts.
Blathwayt must have been keen on his garden for displayed today within the house is a drawing of ‘Dyrham, the seat of William Blathwait (sic) Esq’ by Johannes Kip, dated 1710. Kip (also spelled Kyp) was a Dutch artist who moved to England in the late 1600s, as did topographical draughtsman and painter Leonard Knyff. Both produced bird’s-eye perspectives of estate grounds and gardens.
Those in the know who come across such recognisable works may often be heard saying, “Ah, it’s a Kip and Knyff” – a recognition of the quality of their works. Although the drawings were not always accurate they are still breathtaking, especially as they were created when actually seeing a bird’s-eye view would not have been possible.
But, back to the estate. Surrounding the house is a deer park, which has a long heritage. In Anglo Saxon times there was reference to ‘Deorham’. ‘Deer’ has its origins in the word ‘Deor’.
William Blathwayt died in 1717 in his late 60s. Throughout the following generations Dyrham Park had a roller coaster of a ride with some looking after the site, while others let it decline. In time many of the hundreds of items which reflected William’s passion for paintings, fine furniture and tapestries (and which made the family home) were gradually dispersed. The site was eventually secured when the Government’s Land Fund purchased it in 1946.
Today it is a National Trust property. Its house, interiors and gardens are being renovated. At the time of our visit painstaking work was being carried out on the grand staircases and panelling. The natural wood Blathwayt had taken such efforts to source and ship from overseas had in more recent decades been covered in magnolia paint!
Dyrham Park is certainly worth a visit, if not several for there is a lot to absorb in this great estate.
Copyright: Words and photos, Sue Barnard 2022